Reading: Entangled Life by Merlin Sheldrake and American Rapture by CJ Leede
Finished Reading: Last to Leave the Room by Caitlin Starling
Earworms: The Winner Is by DeVotchKa and Mychael Danna and Radio Silence by RENT STRIKE
Eyeworms: Leslie Kieu's Dust N' Dread Joe Whiteford & Zoe Thorogood’s Vampire on Aisle 6
Playing: Cruelty Squad
Watching/ed: They Will Kill You, They Live, The Hudsucker Proxy, The Life of Chuck, and Ash Bentley (Who has recently got a Patreon)
Making: Zine Sauce: The Resource Zine (a zine and a file of PNGs made and/or remixed by me that are attribution free) DIS zine, more DOOM maps, more zines, hopefully the book boxes!!!
Finished Making: DOOM Map (Currently Map 227, look for Goregeous Gardens) for RAMP2026
Writing: Project Worthy
Editing: Patreon Tiers
Word Count: 39551
TLDR: Sickie Sick but still making Sick AS Sickos, Fuck the Rich, What is value?, the worship of things - Money, fae, and The Ruling Class(tm)
Click here to read!
We have been remarkably unwell this past week… or two… or month. It has been a hard stretch here, but over the last week specifically we took the time to start recovering and reorient our life and goals because the shape of our life is changing significantly. This meant analyzing WHY we were doing things, like our goals for creation for the Patreon. Was this because that art spoke to us specifically, or because we were scared and thought this would grant us the stability we needed? We still plan to make plenty of art each month, which we’ll get to later, and what decisions we made around the Patreon, but, suffice to say, for now, that things are changing, and we’re glad for it.
I’ve been playing Cruelty Squad on and off for about two weeks and have been thinking about the themes it presents. The callousness, the absurdity and pointlessness of the pain and violence inflicted on everyone, my character included, for both inflictor and victim. The game is absolutely hilarious and has a razor wit while making jokes like “ChunkoPop dolls” and the Fatberg Casino, which is clearly placed in a sewer. This humor I think is a perfectly reasonable response to the absurd levels of evil we face from the “top of society.”
Speaking of the evil of the rich, we just watched They Will Kill You. It was a pitch perfect horror comedy with so, so much great action. We appreciated the time it took to look at and question class traitors who believe they have no choice but to give in. Sure, you may not be safe saying “fuck you” to those in charge, but at least your soul might survive…
We’re nearly done with Zine Sauce: The Resource Zine, and we’ll be shifting our focus over to a new essay zine that we’re calling DIS: Ease & Order. First, Zine Sauce, for those who haven’t heard us talk about it, is going to be a completely human made/ edited resource of art, words, alphabets, and textures. It will be completely attribution free and available sometime this month NOW. DIS is going to be focused on the effects of AI on human minds and the effects of the structure of our society on our minds as well. (Like having eight hours of unbroken sleep instead of a biphasic sleep at night and a nap in the day.)
I’m not sure if it is a good thing or a bad thing that I keep changing my path slightly with things like Patreon and Social Media. Jury is still out. I guess, the art and my life goals have not changed. That stays the same. I get down on myself sometimes for “not sticking to something long enough to see if it works.” But maybe I should start thinking about these things like paths that I go down because they look like they are leading to the castle at the centre of the Labyrinth. Sometimes they are dead ends. Sometimes they are fun and I find new friends down there. Sometimes they lead to an oubliette that sucks away my joy and lifeforce. So I need to turn around, back track, find a new way.
My fourth reorientation of Patreon is looking much more like what we enjoy. Not just in what we are offering but aesthetically. There is movement and life on the page that wasn’t there before. I have tried to offer a lot of “products” before on Patreon and I always have a hard time of it. In this “before” times, while support is still low, it is hard to make art for an audience of no one. If it was art I was making anyway, then maybe it wouldn’t be so bad. I dunno. It is still hard to make things without someone to look at it and think it is cool. Is that a bad way to be? I dunno. This shit is so complicated. We are just asking for support and in return we are mostly offering recognition of that support. We have opened our Sick AS Sickos page and it will be fun to fill it up.
We will be putting together monthly art packs on the places we sell our art. So much of our art we give away for free and this isn’t something we plan on stopping but we also ain’t about the whole starving artist chic thing when you have dependents, and food is nice. A really good friend of mine said something very wise to me this week. “Creativity is the gift.” We had been discussing the need to value our art, versus the drive to keep art accessible. We often have a hard time reconciling the fact that our art is worth money but in fact, what my friend was saying, was that art and creativity is worth more than money and that the money we ask for will never really be enough compensation if we are honestly comparing the two things. Our western society’s worship of money leads us to think that it is the marker that all value is set to, a rubric, the standard through which all worth is derived. As humans we have the right to the types of compensations that we require for the different "work" we all do. Whether that be trade, recognition, praise, money, a sense of well-being, satisfaction with ourselves and our hard work, ultimately it doesn't matter what it is that we need or what we are giving back into the world. It is about balance and knowing our own value and not allowing another man's measure to affect our sense of worth. Money was only ever meant to be a representation of this value, essentially trading whatever immediate value you would have received/ experienced, for the promise that you can hand over this representation for something you feel you need, or want. However, it is doing a SHIT job of this. I don’t know about everyone else, but I feel my worth, and the value of my work is severely underestimated by the measure of “A dollar.”
To quote RENT STRIKE “... these economics/ They could never conceive/ Of all of our value/ Or measure our worth /No, I will not let them tell me/ What it means to do Work!“
We don’t speak much on our beliefs, but we’ve been thinking about something recently that we wanted to share. The fae/ faerie were so prevalent in society as a concept, as a reality! Then, they seemed to wither and fade in the face of, first, christianity and then enlightenment. We’re not making judgement calls on this occurrence, but we think the more interesting bit is the fact that the fae haven’t gone anywhere. Firstly, there are plenty of witches and pagans who work with them now-a-days. However, secondly, the thing we’ve been thinking over is the fact that they survived obliteration as an idea through sublimation into another form. Fae became “Bad spirits” became demons. “A rose by any other name would still eat your cat.” - Aislinn Barker
Those in power want you to think the old ways are dead, but they were just co-opted and rebranded. The divine right of kings is gone, but now there are the bootstraps of the billionaires. The concept of “Success shows moral superiority” is antithetical to how the TRULY absurdly wealthy get and stay that way. Yet again, ideas surviving through sublimation.
Support art. Support dissent.
~Adorne Sibley










































